In case you didn’t know, the Oscars were last night. Until then, I hadn’t watched the Oscars in years–I believe it was the year Renee Zellweger was nominated for her role in Bridget Jones’ Diary and I was floored that a comedy received a Best Actress nomination. I watched parts of it between scenes during a rehearsal–that’s how long ago that was. This year, I was a little shocked to see our buddy James Franco alongside Anne Hathaway–not a pair I could have foreseen, but I guess I’m a little out of the Hollywood loop. But that’s not important. What’s important is that regardless of how many of the nominated films I’ve seen or how strongly I agree (or disagree) with the Academy’s decisions, Oscar season always gets me thinking about the movies I love. So here, in chronological order, are ten of my favorite Oscar-winning films, which you should buy, rent, or Netflix immediately: Read more »
Tags: 83rd Annual Academy Awards, Academy Award, All About Eve, An American in Paris, Audrey Hepburn, Bette Davis, Casablanca, Edith Head, Gene Kelly, Humphrey Bogart, Iris, Jim Broadbent, Judi Dench, Kate Winslet, Laura, Leslie Caron, Life is Beautiful, Madeline Kahn, Marilyn Monroe, Once, Oscar Levant, Paper Moon, Paul Newman, Robert Redford, Roberto Benigni, Ryan O'Neal, Sabrina, Tatum O'Neal, The Oscars, The Sting
awards, film

Iris Murdoch and her husband, John Bailey
The last time I visited Auntie’s in Spokane, I nearly ran into a pillar. Thankfully, no one seemed to be watching. Also, that pillar was covered with staff-recommended books. The one closest to my head, which would have left its imprint on my forehead if I hadn’t snapped out of my daydream in time, was The Bell by Iris Murdoch.
I’d seen the movie Iris a couple of times (it features three of my very favorite actors–Judi Dench, Kate Winslet, and Jim Broadbent–who were, incidentally, all nominated for Oscars for their performances in this film) but had never encountered any of Dame Iris’s books before, so naturally I was curious.
For a book written by a noted philosopher, The Bell is surprisingly easy to read. The prose bears the marks of its time (some overwriting, adjective stacking, etc.) and at times, Murdoch does use some of the trademark tools of the philosophical novel (long speeches delivered by characters, stretches of philosophical internal monologue). But overall, she lets the reader figure out the message for him/herself–and I appreciated that. Read more »