Twitter Fiction and Creative Experimentation

I watched the TED Talks video “Adventures in Twitter Fiction” a few months ago and wondered, could I do that?

In the talk, Andrew Fitzgerald gives examples of successful storytelling, using Twitter as a micro-blogging platform with writers setting up Twitter accounts for fictional characters who interact with each other. The experiments seem complicated and brilliant and risky. What could a writer do with Instagram, Pinterest, or even a dating site? Social media provides the space for flexible identity and anonymity while engaging with the real world. Many writers have probably considered social media for marketing their work, but what about for creation? If you’ve already jumped into this type of experimentation, let me know. I want to see the risks, rewards and… I’m going to bring up the “F” word. Failure.

What about failure? With so many voices (real and bots) clamoring to be heard in the social spheres of the internet, could a creative experiment go unseen, or seen but ferociously attacked? But does any of that matter?

Writers risk failure with every word they put on the page, so maybe the medium of delivery doesn’t seem so scary, even if unconventional. I remember the first time I heard of actors and directors taking their work exclusively online with webisodes. Maybe this isn’t so different?

If you haven’t already, I hope you’ll watch the TED Talks video. Let me know if you feel inspired!

1 Comment

  • I’m not sure about having the medium decide on how quickly I can read a story–like in the New Yorker case. But I love the idea of considering yourself a storyteller and stretching the limits of your story depending on what medium you choose to deliver it with.

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